I | A |
ii | Bm |
iii | CBm |
IV | D |
iv | Dm |
V | E |
A FOUR_MAJOR
He's
a
real
E ONE_MAJOR
no-
where
man
D
Sit-
ting
in___
his
A FOUR_MAJOR
no-
where
land,
D
mak-
ing
all___
his
Dm
no-
where
plans
for
A FOUR_MAJOR
no-
bod-
y.
A FOUR_MAJOR
A FOUR_MAJOR
Does -
n't
have___
a
E ONE_MAJOR
point
of
view
D
knows
not
where
he's
A FOUR_MAJOR
go-
ing
to
D
is-
n't
he
a
bit__
Dm
like
you____
and
A FOUR_MAJOR
me?_______
A FOUR_MAJOR
no
where
man
CBm
____
please
D
lis-
ten,
you
don't
know
CBm
what
you're
D
miss-
ing.
no
where
man
CBm
____
the
Bm
world
is
Bm
at
your com-
mand.
E ONE_MAJOR
A FOUR_MAJOR
E ONE_MAJOR
D
A FOUR_MAJOR
D
Dm
A FOUR_MAJOR
A FOUR_MAJOR
A FOUR_MAJOR
He's
as
blind___
as
E ONE_MAJOR
he
can be,
D
just
sees
what
he
A FOUR_MAJOR
wants
to
see,___
D
no-
where
man, ___
can
you
Dm
see
me___
at
A FOUR_MAJOR
all?
A FOUR_MAJOR
no
where
man
CBm
________
don't
D
wor-
ry,
take
your
time,
CBm
don't
D
hurry.
Leave it
CBm
all
till
Bm
some-
body
else
Bm
lends
you a
hand.
E ONE_MAJOR
A FOUR_MAJOR
Does-
n't
have___
a
E ONE_MAJOR
point
of view,
D
knows
not
where
he's
A FOUR_MAJOR
go-
ing
to,___
D
is-
n't
he__
a
bit
Dm
like
you__
and
A FOUR_MAJOR
me?___
A FOUR_MAJOR
no
where
man
CBm
____
please
D
lis-
ten,
you
don't
know
CBm
what you're
D
miss-
ing.
no
where
man
CBm
____
the
Bm
world
is
Bm
at
your com-
mand.
E ONE_MAJOR
A FOUR_MAJOR
He's
a
real___
E ONE_MAJOR
no-
where man,
D
sit-
ting
in
his
A FOUR_MAJOR
no-
where
land,
D
mak-
ing
all___
his
Dm
no-
where
plans
for
A FOUR_MAJOR
no-
body,
A FOUR_MAJOR
D
mak-
ing
all____
his
Dm
no-
where
plans
for
A FOUR_MAJOR
no-
body,
A FOUR_MAJOR
D
mak-
ing
all____
his
Dm
no-
where
plans
for
A FOUR_MAJOR
no-
body.
A FOUR_MAJOR
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